Miles Davis – Bitches Brew

Who better to lead us into the weird world of Miles Davis than his biographer, Ian Carr? We heard his electric Miles-inspired jazz-rock on ‘Torrid Zone’, and Bitches Brew (1970) is more or less fusion ground zero. Influenced by the music of Jimi Hendrix – and pissed off that rock stars were making more money than him without the musical ability – Davis mixed the aggression of rock with the most experimental aspects of jazz to create an album that sounded like neither genre, producing something closer to alien funk.

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The Ahmad Jamal Trio – Bogota

Immediately following The Awakening, the great Ahmad Jamal moves to Rhodes -as in the electric piano, not the place. The location is the Montreux Jazz Festival, and the 1972 release Outertimeinnerspace is another perfect album; arguably an easier achievement with only two tracks (further performances from this date appear on Freeflight, also on Impulse!), each comprising an entire side of the LP.

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Herbie Hancock – Maiden Voyage

Bobby Hutcherson’s version of the oceanic classic ‘Maiden Voyage’ shore is beautiful, but for me the original is unassailable. Concept albums are generally associated with rock music, but Herbie Hancock was one step ahead of The Beatles. Empyrean Isles (1964) is loosely based around Ancient Greek mythology, and Maiden Voyage (1965) is an album about the sea. Bookended by pieces that would become standards, ‘Maiden Voyage’ and ‘Dolphin Dance’, the record even features sea-based poetry as its sleeve notes. You might call them liner notes.

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Bobby Hutcherson – Ghetto Lights

You just heard Roy Ayers filtered through the psychedelic prism of Madlib, which brings us to the warm and wonderful world of the vibraphone. One of the great masters of the mallets was Bobby Hutcherson, whose sonic and rhythmic sensibilities helped usher in a new era for legendary jazz label Blue Note.

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