Routes: A Jazz Impressions Podcast – Episode 10

In our bumper anniversary 10th edition we pay tribute to two jazz giants: percussion legend James Mtume and vibes wizard Khan Jamal. But which route best connects them? Via the West Coast, or the astral plane? Dan travels through time and Ollie through space, on a cosmic journey that passes Philly, pharaohs and psychedelic beanies.

Thanks for indulging us for 10 episodes, and stay tuned for more astral traveling this year. Roads? Where we’re going, we only need Rhodes.

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Tracklists below (SPOILERS!)

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The Keith Jarrett Trio – Endless

Here’s a fun musical connection: the pianist Keith Jarrett sued Steely Dan over similarities between ‘Gaucho’ (1980) and his track ‘Long As You Know You’re Living Yours’ from the album Belonging (1974). Walter Becker and Donald Fagen acknowledged the influence and officially credited Jarrett, admitting: “Hell, we steal. We’re the robber barons of rock ‘n’ roll.”

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Santana – Going Home

When people hear the name Santana, depending on their generation they’ll probably either think of the ’60s heyday of ‘Black Magic Woman’ or their turn-of-the-century comeback hits like ‘Smooth’. Arguably though, the band’s most creatively fertile period was in the ’70s, when Carlos and co. were experimenting with jazz, spirituality and collaborating not with pop stars (no offence to Rob Thomas – I like Veronica Mars as much as the next guy) but with such virtuosos as Alice Coltrane and John McLaughlin.

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Alice Coltrane – Blue Nile

One of the artists mentioned in the previous post was multi-instrumentalist Alice Coltrane who plays both piano and harp on Joe Henderson’s elemental offering ‘Fire’. This wasn’t their first musical collaboration as they had already worked together on her own cosmic masterpiece, Ptah, The El Daoud, recorded at the Coltrane’s home studio in 1970 and released on Impulse! records.

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McCoy Tyner – Valley Of Life

Today we pay tribute to McCoy Tyner, whose work from the 1950s right up until his death earlier this month made him “the most influential pianist-composer in modern jazz,” according to the Penguin Jazz Guide. Best known for his work in John Coltrane’s legendary quartet, Tyner was an extraordinary artist in his own right, recording countless classic albums for the likes of Impulse!, Blue Note and Milestone.

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Max Roach – Effi

The previous post focussed on ‘Wednesday Night Prayer Meeting’ from Charles Mingus’ political and earthy album Blues & Roots. Today, I look at the album Members, Don’t Git Weary, released on Atlantic in 1968 by a musical contemporary of Mingus, the great Max Roach, one of the most influential drummers in the history of jazz. Roach was a bebop pioneer and changed the way drummers played jazz, elevating the drummer from accompanist to major player.

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Nucleus – Torrid Zone

The year before The Ahmad Jamal Trio performed their composition ‘Bogota’ at the Montreux Jazz Festival in Switzerland, a small group of British musicians by the name of Nucleus showcased compositions which pioneered a new sound, one that blended jazz with influences from rock and funk, now defined as ‘jazz-rock’ or ‘fusion’. This radical new approach to jazz saw the group win first prize at the festival and was responsible, along with a few other notable albums, in ushering jazz away from the modal and post-bop sounds of the 60s and into the psychedelic, funky fusion of the 70s.

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The Ahmad Jamal Trio – Bogota

Immediately following The Awakening, the great Ahmad Jamal moves to Rhodes -as in the electric piano, not the place. The location is the Montreux Jazz Festival, and the 1972 release Outertimeinnerspace is another perfect album; arguably an easier achievement with only two tracks (further performances from this date appear on Freeflight, also on Impulse!), each comprising an entire side of the LP.

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John Coltrane – Impressions

It only seems fitting that the first step on our musical journey begins with a track closely connected to the name of our blog – ‘Impressions’ by the great John Coltrane.

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